Minggu, 29 Juni 2014

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The Pleasures of the Damned, by Charles Bukowski

To his legions of fans, Charles Bukowski was—and remains—the quintessential counterculture icon. A hard-drinking wild man of literature and a stubborn outsider to the poetry world, he wrote unflinchingly about booze, work, and women, in raw, street-tough poems whose truth has struck a chord with generations of readers.

Edited by John Martin, the legendary publisher of Black Sparrow Press and a close friend of Bukowski's, The Pleasures of the Damned is a selection of the best works from Bukowski's long poetic career, including the last of his never-before-collected poems. Celebrating the full range of the poet's extraordinary and surprising sensibility, and his uncompromising linguistic brilliance, these poems cover a rich lifetime of experiences and speak to Bukowski's “immense intelligence, the caring heart that saw through the sham of our pretenses and had pity on our human condition” (New York Quarterly). The Pleasures of the Damned is an astonishing poetic treasure trove, essential reading for both longtime fans and those just discovering this unique and legendary American voice.

  • Sales Rank: #744558 in Books
  • Published on: 2007-10-30
  • Released on: 2007-10-30
  • Original language: English
  • Number of items: 1
  • Dimensions: 1.70" h x 6.54" w x 9.22" l, 1.94 pounds
  • Binding: Hardcover
  • 556 pages

From Publishers Weekly
Starred Review. Bukowski's chatty free verse (and fiction) about disappointment, drunkenness, racetracks, flophouses, lust, sexual failure, poverty and late-life success amassed an enormous following by the time of his death at age 73 in 1994. Billed as the last book with new Bukowski poems in it, this hefty collection also culls from his prior books, and it is all of a piece: the warnings about lost potency, the ironic takes on ailments of mind and body, the comradeship with everyone down at the heels, down on his luck, or down to his last shot of booze. Bukowski's best poems have an exaggerated, B-movie black-and-white aura about them. One new poem warns that/ nothing is wasted:/ either that/ or/ it all is. In another, hell is only what we/ create,/ smoking these cigarettes,/ waiting here,/ wondering here. Near the front of the volume comes a page-and-a-half-long verse manifesto, a poem is a city, that might describe what Bukowski could do: a poem is a city filled with streets and sewers, it begins, filled with saints, heroes, beggars, madmen... banality and booze, and yet a poem is the world. (Nov.)
Copyright � Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Review
“This long and well-edited collection is likely to stand as the definitive volume of Bukowski’s poems.” (New York Times Book Review)

About the Author

Charles Bukowski is one of America's best-known contemporary writers of poetry and prose, and, many would claim, its most influential and imitated poet. He was born in Andernach, Germany, and raised in Los Angeles, where he lived for fifty years. He published his first story in 1944, when he was twenty-four, and began writing poetry at the age of thirty-five. He died in San Pedro, California, on March 9, 1994, at the age of seventy-three, shortly after completing his last novel, Pulp.

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1 of 1 people found the following review helpful.
Freaking amazing! I'm not going to get all flowery and ...
By Lou Ann Stowell
Freaking amazing! I'm not going to get all flowery and sentimental because Bukowski I don't think would have appreciated it or thought it too trite expressing the elite-est "cuteness".

Bukowski wasn't cute or pretty in his writing...he wrote what he saw around him with an awake and aware in-the-moment presence that is reality. Reality is not pretty or kind. I love his writing for that.

Also I found the words to his dead love in the poems "for Jane: with all the Love I had, Which Was Not Enough:", "Notice", and "for Jane" more touching than anything I have read in a long time. The grief he felt was enormous, world wrecking and I identified with that grief since I lost my husband and soul mate two years ago. I cried on the evening train reading these poems and found myself saying aloud "He KNEW!"

No one that has lost such an integral part of themselves is able to express that sort of gut wrenching of a tribute without having truly loved and suffered greatly.

He made me laugh, think, gasp at the rawness of life I remember seeing living in the outskirts of San Francisco in the 70's. He took down a memory lane of my own childhood and re-examine myself in a way I haven't in a very, very long time.

I never met you, Chuck, but I feel like I knew you, I would buy you a drink at the races if I could. Thank you for being so brutishly honest and more clean in your observations about the world than 80% of the population.

Bukowski clean? Oh, yeah.

He stripped down things to what they actually are instead of what society likes to pretend them to be. That to me is a clean, healthy lungful of fresh air! He was vulgar in his language, but in case you haven't really stepped out of your cubicle or hide-y hole...the world IS vulgar, uncivilized and mean and a vast majority of us in the lower classes (which is damn near anyone under a million anymore) lives with that. We're your elderly on the pensions and social security, waitresses, garbage men, retail sales people, and secretaries. You know, the ones the upper classes can't live without because we are the professional maids and nannies and buttwipers making minimum wage to slightly over, but still in the poverty level that make their world go round. We see the unsanitized and unedited truth. Mother Nature is one cruel mother. Bukowski had the balls to say it!

Thank you again for your humanity and insight.

1 of 1 people found the following review helpful.
Simply, the most bone-jarring honesty you've read. Forget that it's been labeled 'poetry'.
By Jack Daye
Language warning!
However, if you like honest emotion, straightforward observations of the human condition that ring with truth, and you have sufficient maturity to acknowledge a certain amount of coarse verbiage sometimes expresses reality, this is, maybe, the only poetry book you'll ever want.
You'll laugh,
you'll cringe,
you'll be turned on and
turned off.
You'll see yourself,
and want to take a good, hot shower afterwards.

0 of 0 people found the following review helpful.
An incredible collection, but nowhere near definitive
By Tony Z
There's a lot of good in this book, but it misses some incredible poems. First of all, I'm really surprised that Some People didn't make it in... seeing as how it's easily one of Bukowski's most quoted poems. Same with Wandering in the Cage.

My first Bukowski poetry book was Betting on the Muse. It made me fall in love with the dude. But the choices here are pretty terrible. Avoiding Humanity, the secret, let not, a challenge to the dark, think of it are all essential Bukowski. The worst omission is easily "let it enfold you." It's a fantastic poem of Bukowski examining life and allowing himself to be happy with what he has. It's one of his all time best, and it's hard to justify not including it.

What Matters Most... has the most poems of any of his books, but most of the choices are just, eh. Lifedance is essential, icecream people is great, as is a vote for the gentle light and be alone. 25 poems from this book are here, and they didn't do a very good job of picking the best.

A few more that are absolutely essential: i met a genius, dreamlessly, splashing, hug the dark, downers, they are everywhere, alone with everybody, and it's a shame.

But most (definitely not all) of the poems in this book are fantastic. The last few written near the end of his life are pretty perfect. There are some hilarious ones (who needs it, a threat to my immortality), great political ones (American Flag shirt, putrefaction, commerce), and of course all the big ones (crunch, genius of the crowd, bluebird, etc).

It's a fantastic collection. But don't stop here. Don't even think about it.

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Senin, 23 Juni 2014

[W421.Ebook] PDF Ebook Composite Materials: Fabrication Handbook #1 (Composite Garage Series), by John Wanberg

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Composite Materials: Fabrication Handbook #1 (Composite Garage Series), by John Wanberg

While most books on composites approach the subject from a very technical standpoint, this book presents practical, hands-on information about these versatile materials. From explanations of what a composite is to demonstrations on how to actually utilize them in various projects, this book provides a simple, concise perspective on molding and finishing techniques to empower even the most apprehensive beginner. Topics include: what is a composite, why use composites, general composite types, and where composites are typically used. The basics section also includes information on choosing the best resin/fiber system and the different types of both resin and fiber.

Health and safety is a major consideration for any composite book. Author John Wanberg covers threats to both breathing and skin contact and how those contacts can be avoided when working with modern composite materials.

First-time composite workers will need a work space, and this book describes how to setup a shop that is both composite-friendly and safe. Once the shop is established, it's time to begin using typical wet-layup and molding techniques.

Creating useful composite parts starts with a good design, a topic that must be mastered before useful parts can be manufactured. Among the useful parts demonstrated here are both motorcycle and automotive components. The construction of these parts is documented in step-by-step fashion with an abundance of photographs - no step is left out.

Any part created in a mold must be first removed from the mold, and second, finished and trimmed. Surface sanding and finishing makes up an entire chapter, ensuring that the composite parts you manufacture are not only light and extremely strong, but good looking as well.

  • Sales Rank: #179788 in Books
  • Brand: Brand: Wolfgang Productions
  • Published on: 2009-05-15
  • Original language: English
  • Number of items: 1
  • Dimensions: 11.00" h x .38" w x 8.50" l, 1.08 pounds
  • Binding: Paperback
  • 144 pages
Features
  • Used Book in Good Condition

About the Author
John Wanberg is an Assistant Professor of Industrial Design at Metropolitan State College of Denver where he teaches design materials and studio classes. He has worked professionally in the design and manufacture of varied composite products ranging from wearable medical robotic devices to aftermarket automotive parts and alternatively powered vehicles.

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35 of 35 people found the following review helpful.
A true step by step beginner's manual with color photos
By Tony Kase
A well written non technical book that doesn't get bogged down in theory but lays a good foundation on the basics to get you going. Presents advantages and disadvantages of different composites to help you decide on a choice of composite to use. Covers safety, basic tools you will need and considerations in setting up a work space. The book then presents 4 projects, a flat panel lamination, speaker panel lamination, a mandrel lamination, and a moldless lamination of a hood scoop. Demolding and finishing techniques for these projects are covered in great detail with useful hints. The presentation of the projects remind me of a Chiltons auto repair manual, except its all in high quality photographic paper with color photos,better descriptions and detail. This book is 142 pages with over 300 high quality color photos with an average size of 3.25 x 2.25 inches. There are also references in the back of where you can get composites and resins to begin your project. You will finish this book with an understanding of basic composite fabrication and the confidence to do a small project yourself. This book does not cover advanced techniques, vacuum bagging, resin infusion, sandwich structures or cores such as honeycomb or foam. It also does not cover repair techniques. It is for those that want to fabricate some basic composite parts in their garage or workshop and a great step by step photographic reference for everybody. I encourage the author in a future project to cover the more advanced techniques in the same format since there is nothing out there. I look forward to handbook # 2.

14 of 15 people found the following review helpful.
Good place to start, but missing information. The book is also laid out wierd.
By S. Keith
There is a lot of good information in this book as the other reviewers have said and I do recommend getting it if you are interested in learning about composites, basic mold making, and general wet lay techniques.

There are however 2 things I really don't like about this book.

This first is that the example pictures referred to in the text is often a few pages away. You can't flip through the book looking for pictures and then read about that picture on that same page, it's often back a few pages.

Secondly, it appears as if the book is missing information. There are pictures of the demolding process for a multi piece mold yet the instructions are very incomplete. It does talk about bolting the mold together and unmodling it, but it doesn't talk about the actual construction of the multi-piece mold.

8 of 8 people found the following review helpful.
Excellent introductory guide--major pluses, only a few minuses
By jbh123
As it states in its introduction, this book is intended as a PRACTICAL, hands-on guide to learning the basics of working with composites. It spends almost no time on designing composite structures and instead focuses on the actual techniques you need to learn in order to build those structures yourself. It begins by describing the most common materials and how and why they are used, then moves on to safety (very important) and helpful tools, and then into how to actually make some basic composite structures via various wet layup techniques.

To me, one of the strong points of this book is that it isn't too discipline-specific, i.e. it doesn't seem to have a bias toward any one type of structure. Almost every other book from which I've tried to learn some of these basic techniques has been aimed toward building either an airplane or a boat of some sort, and used examples (and terminology) specific to them. This book might have just a *slight* bias toward automobiles, but that's it. By showing how to lay up a flat panel, a tube and a couple of other structures, it shows several basic techniques that can be applied to a wide variety of projects. It also shows how to make different types of molds, the pros and cons of different types of resin (and how to choose the best one depending on what you're trying to build) and different types of reinforcement. And it shows a variety of finishing techniques as well, which I've rarely seen in any of the books I've encountered in the five-plus years I've been working with composites--including a couple I *wish* I had learned much sooner.

Another strong point is the clear COLOR photographs, which are consistently well composed and well lit, so you can actually see what's really going on. Every photo and diagram also has a descriptive caption, which are consistently excellent. My only quibble, and it's a very small one, is that the photos sometimes run ahead of the text by a couple of pages. But even if you just follow the photos (there are hundreds of them), you will still get a very good idea of the process being shown. One other observation: Many of the photos are arranged six to a page (two across and three down) and read in order down the left-hand column, then back to the top of the right-hand column. It was a bit confusing at first, as I would've expected to read across the page first and then down to the next row. But again, that's easy enough to get used to--and the photos are numbered.

The author's language is conversational and informal throughout, a perfect match for a practical guide. Also, the paper is thick and glossy, the layout is clean, uncluttered and easy to read, and the perfect-bound construction seems well done. So the book should last for quite a while.

If you're looking for a book that covers many of the basics, but geared toward aviation and with a somewhat more theoretical approach, check out Composite Basics by Andrew C. Marshall. But if you're looking for a consistently superior guide to the basics of working with composites, Composite Materials Fabrication Handbook is the one you want.

NOTE: This book (Fabrication Handbook #1) covers basic wet layups only. It does NOT cover prepregs, compression molding, vacuum bagging or resin infusion. However, those topics and others are covered in Composite Materials Fabrication Handbook #2 by the same author, which is just as good as Handbook #1 and also worth every penny. Do what I did and just buy both at the same time. You won't regret it.

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Man in Black His Own Story His Own Words, by Johnny Cash

  • Published on: 1975
  • Binding: Paperback

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Minggu, 22 Juni 2014

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Come Over to my House, by Dr. Seuss

  • Sales Rank: #1664783 in Books
  • Published on: 2012
  • Original language: English
  • Dimensions: .0" h x .0" w x .0" l, .44 pounds
  • Binding: Paperback

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Jumat, 20 Juni 2014

[Z259.Ebook] Download Ebook The Enlightenment: The Science of Freedom (Vol. 2) (Enlightenment an Interpretation) (v. 2), by Peter Gay

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The Enlightenment: The Science of Freedom (Vol. 2) (Enlightenment an Interpretation) (v. 2), by Peter Gay

The second volume of Peter Gay's in-depth study of the dawn of the modern world―the Age of Reason.

The Science of Freedom completes Peter Gay's brilliant reinterpretation begun in The Enlightenment: The Rise of Modern Paganism. In the present book, he describes the philosophes' program and their views of society. His masterful appraisal opens a new range of insights into the Enlightenment's critical method and its humane and libertarian vision.

  • Sales Rank: #632829 in Books
  • Published on: 1996-02-17
  • Released on: 2013-03-08
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.20" h x 1.40" w x 5.50" l, 2.15 pounds
  • Binding: Paperback
  • 744 pages

Review
Extraordinary and brilliant. — R. R. Palmer (Journal of Modern History)

About the Author
Peter Gay (1923―2015) was the author of more than twenty-five books, including the National Book Award winner The Enlightenment, the best-selling Weimar Culture, and the widely translated Freud: A Life for Our Time.

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146 of 155 people found the following review helpful.
One of the most brilliant account of the Enlightenment
By W.T. Oosterveld
The Enlightenment by Peter Gay (2 volumes: The Rise of Modern Paganism and The Science of Freedom) surely ranks among the most brilliant accounts of eighteenth-century philosophy ever written. It is a sweeping account of the intellectual history of the 18th century, form its origins right into the French and American Revolutions. It traces the struggle of the small clique of 'philosophes' -a dispersed group of intellectual giants such as Voltaire, Hume, Lessing and Beccaria- as they fight against corruption, superstition and ignorance, which has kept Europe slumbering since the demise of the Roman Empire. The book vividly illustrates the ideas of the 'philosophes' and how they wanted to bring their reform programs into practice, and thereby spread the ideals of liberty and the pursuit of knowledge. Peter Gay deftly describes the cultural background of the 'philosophes' and explains how they came to challenge the establishment in order to bringing about these much needed changes so as to give their ideals a chance to prevail. The book has an extensive and well-readable bibliography with many good suggestions. This account of the Enlightenment is among the best ever written in the twentieth century, along with Paul Hazard's European Thought in the 18th century and Ernst Cassirer's The Philosophy of the Enlightenment. I do recommend all to read both volumes of this book.

2 of 2 people found the following review helpful.
Conclusion to the most erudite treatment of the Enlightenment!
By Igor Faynshteyn
This is the second and final installment of Peter Gay's most erudite, learned and comprehensive treatment of the Enlightenment in Western Europe. The first volume focused largely on what the "little flock of philosophes" read and thought. This volume's focus is more centered around the implementation of their ideas into discernible programs in science, art, education and politics.

Like the first volume, this volume is not organized by chronology, but rather by topical treatment. It focuses largely on a couple of dozen or so philosophes and their writings and philosophies, some more deeply covered than others. The most covered ones include: Voltaire, Hume, Gibbon, Rousseau, Lessing and Diderot. The other less covered are Adam Smith, Newton, Locke, Condorcet, Paine, Beccaria, Bentham, Montesquieu, Holbach, D'Alembert and Kant. There is also a mention of the some of the American revolutionaries, like Franklin, Hamilton, Madison, Adams and Jefferson (toward the end of the book).
Also like the first volume, this is an interpretational intellectual history; a synthesis of a sort. There are no events described (except tangentially to make a point about something else); no dates to follow and memorize. Thus, it's not a typical and popular history of a period.

Like the first volume, the work is a challenging read. It took me almost 4 months to finish it. The prose is relatively fluid, but takes some time getting used to the language, as Peter Gay is of Germanic origin and was writing back in the 1960's. But don't allow this to deter you from reading it. This is one of the most intellectually sophisticated and for that reason satisfying works of intellectual history ever written.

5 of 8 people found the following review helpful.
Enlightenment.
By Don Artz
I picked up a copy of Peter Gay's Enlightenment as a discard from our public library. It was a terrific book, but I noticed it was "Volume 1." So I had to go to Amazon to find volume 2 (They are not labeled as volume 1 or 2, they have different subtitles.) It, too was fine, better than fine. This is history writing at its best - great accomplishment for Peter Gay.

Don

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Selasa, 17 Juni 2014

[X898.Ebook] PDF Ebook Next Teller: A Book of Canadian Storytelling, by Dan Yashinsky

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Next Teller: A Book of Canadian Storytelling, by Dan Yashinsky

Book by Yashinsky, Dan

  • Sales Rank: #6502643 in Books
  • Brand: Brand: Gynergy Books/Ragweed Pr
  • Published on: 1994-03
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.75" h x 5.25" w x .75" l,
  • Binding: Paperback
  • 256 pages
Features
  • Used Book in Good Condition

Review
Next Teller is a spellbinding anthology of stories about love, wisdom and change by 31 outstanding Canadian storytellers. Eloquent voices reflect tales from the Ojibway, Chinese, Jamaican, Gaelic, Franco-Ontarian, Cree, and many other Canadian traditions and cultures. Legends, folk-tales, true life stories, this is a collection ideal for ages 12 and up. Black and white illustrations are perfectly synchronized with the stories. Highly recommended! -- Midwest Book Review

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Selasa, 03 Juni 2014

[J396.Ebook] Fee Download Secret Teachings of a Comic Book Master: The Art of Alfredo Alcala, by Heidi MacDonald, Phillip Dana Yeh

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Secret Teachings of a Comic Book Master: The Art of Alfredo Alcala, by Heidi MacDonald, Phillip Dana Yeh

"Alfredo Alcala is one of the most disciplined and perceptive artists inking in comics. The years of distinguished work have earned Alfredo a special place in comics history." — Gil Kane.
In the late 1960s, an extremely talented group of Filipino illustrators took the American comic book industry by storm — and the late Alfredo Alcala led the way, working for both Marvel and DC on such popular characters as Conan the Barbarian and Batman. This unique work is loaded with amazing art and pointers on observational methods, composition, and other techniques. In addition to insightful interviews with Alcala, the book features pages from his groundbreaking masterwork, Voltar, which was hailed as a new concept in comic book form, an epic in narrative art, and a milestone in�sequential art�illustration. Students, professionals, teachers, and fans will treasure this inspiring volume and its insider's look at comic book artistry.
"A wonderful look at the thought process of one of the best artist/inkers in comic book history and should be read, not just by comic book fans, but by anyone who appreciates great art." —Looking for a Good Book
"A wonderful look at the thought process of one of the best artist/inkers in comic book history and should be read, not just by comic book fans, but by anyone who appreciates great art." — Rushford Public Library

  • Sales Rank: #260606 in Books
  • Brand: Dover Publications Inc.
  • Published on: 2015-10-21
  • Released on: 2015-09-23
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.90" h x .20" w x 8.30" l, .50 pounds
  • Binding: Paperback
  • 80 pages

About the Author

Born in Talisay, Negros Occidental in the Philippines, Alfredo P. Alcala (1925–2000) was a legendary comic book artist. His sword-and-sorcery hero Voltar,�created in 1963, gained him international acclaim, particularly in the United States. For Marvel and DC comics, the award winner worked on such popular characters as Conan the Barbarian, Howard the Duck, and Swamp Thing.
Heidi MacDonald is an American comic book writer and editor based in New York City.
Phillip Dana Yeh is an American writer and illustrator of comic books based in California.

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3 of 3 people found the following review helpful.
for aspiring artists
By anonymous
This is a book for artists. It is straight forward and short. It doesn't get too complicated, but falls more on the lines of "gems of wisdom". The art is inspiring of course, but i think this book isn't just for the comics geek. This is about the life and attitude of being an artist. I'm sure Alfredo Alcala will inspire you. If you spend all your time in front of paper or canvas honing your craft this book is suited towards you and i'm sure you'll like it.

2 of 2 people found the following review helpful.
A wonderful look at the way a master comic artist plans.
By stickerooni
This review originally published in www.lookingforagoodbook.com. Rated 4.5 of 5

I remember in the 1970's being eager each month for the latest issue of The Savage Sword of Conan to be on bookseller's shelf. The black and white art in this over-sized comic book typically was much more impressive than that in the smaller color comics, and a big part of the reason for that was because of Alfredo Alcala. And so, when I saw this book was available (again), I couldn't resist getting my hands on it.

First...this is not a portfolio. This is not just drawing after drawing to ogle over, though there is plenty of art inside, it's not being reproduced on a frame-able quality.

Second...this book is only eighty pages long and more than a quarter of it is taken up with introductions (by Gil Kane and Roy Thomas, at least).

Third..."Secrets Teachings" is a bit of a misnomer - there really aren't any secrets here, but we do get some insight into Alcala and his technique and his thought process as he develops a comic book. And this is what makes the book worth-while.

Before his work on Conan, Alcala created and illustrated a series called Voltar (a clear predecessor to Conan), and this book selects one issue of Voltar and Alcala walks the reader through the entire issue, explaining his thought process to the layout of the page and for each panel and even why some things are light, some dark, etc. It was really fascinating to read how much thought goes into this from the artist's point of view.

Because, when I think of Alcala's work, I think of his incredibly detailed work, I would have liked to have more insight into his actual process of inking. I did appreciate his mentioning how artists need to be able to draw (not just 'finish'), and how learning about the human body and how it reacts in different poses is important (and he gives an example of when it doesn't work).

Alcala mentions using both pen and brush as tools in his art, and here again I would like to know more. I had always assumed his work (look at the drawing on the cover as pictured above) was purely pen and ink. Where and when would he use a brush?

Though I still have questions about his work, I really enjoyed this book, both for the art and for what I learned. I recommend this book very highly for anyone interested in art, not just comic books.

Looking for a good book? Secret Teachings of a Comic Book Master: The Art of Alfredo Alcala is a wonderful look at the thought process of one of the best artist/inkers in comic book history and should be read, not just by comic book fans but by anyone who appreciates great art.

I received a digital copy of this book from the publisher, through Netgalley, in exchange for an honest review.

2 of 2 people found the following review helpful.
the Philippino master
By Michel Franck
It offers an interview with a close friend of Alcala's, reviewing the advices he received from him and giving a few insights into his personality; and a small interview with Alcala Apart from diverse small examples from his works mainly before coming to America, it includes around fifteen pages from his masterwork Voltar, with his own explanations about composition. All in black and white.

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